{"id":27525,"date":"2017-11-10T00:20:20","date_gmt":"2017-11-09T23:20:20","guid":{"rendered":"http:\/\/eg-reeds.com\/?p=27525\/"},"modified":"2025-02-20T11:41:17","modified_gmt":"2025-02-20T10:41:17","slug":"how-to-practice-la-scala-di-seta","status":"publish","type":"post","link":"https:\/\/eg-reeds.com\/de\/how-to-practice-la-scala-di-seta\/","title":{"rendered":"How to practice &#8222;La scala di seta&#8220; (fast part)"},"content":{"rendered":"<h1><strong>How to practice &#8222;La scala di seta&#8220; (fast part).<\/strong><\/h1>\n<p><span style=\"font-weight: 400;\">Here are some small tips that I hope will help you study &#8222;La scala di seta&#8220; by Rossini. I leave you my version, which I played when I was oboe soloist in &#8222;Guiyang Symphony Orchestra&#8220; (China) to know what we are going to talk about.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Rossini - Scala di seta - Oboe Excerpts\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/w5UxVnXyoMM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center;\">\u00c9ric Gonz\u00e1lez, oboe soloist.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">When practicing\u00a0&#8222;La Scala di Seta&#8220; or any orchestral excerpt (in the technical part), the main thing is to look for the problems that we will find and how to solve them.<\/span><\/p>\n<p>The basic problems presented in the fast part of &#8222;La Scala di Seta&#8220; are:<\/p>\n<p>1- Clear and precise articulation for a prolonged period<\/p>\n<p><span style=\"font-weight: 400;\">2- Synchronized fingering and articulation<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When we find excerpts of this type, the most effective is to work the problems separately to later join them.\u00a0<\/span>We will first put our attention on the fingering and for the moment we forget the articulation. This allows us to know what is the main problem in our case. It also allows us to identify which passages offer greater difficulty for fingering and work them in a more focused way. Needless to say it is always essential to work with the metronome.<\/p>\n<p><span style=\"font-weight: 400;\">We will start working with all legato as shown in the example, increasing the speed progressively as we progress.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27630 size-large\" src=\"http:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10-1024x463.png\" alt=\"\" width=\"1020\" height=\"461\" srcset=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10-1024x463.png 1024w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10-600x271.png 600w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10-300x136.png 300w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10-768x347.png 768w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10-510x230.png 510w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-0.10.10.png 1660w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><\/p>\n<p>Once you master the previous exercise you can begin to study the fingers with different rhythms as shown in the following example. You can use as many rhythms as you can imagine, but it always has to be very precise.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27544 size-large\" src=\"http:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43-1024x310.png\" alt=\"\" width=\"1020\" height=\"309\" srcset=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43-1024x310.png 1024w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43-600x182.png 600w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43-300x91.png 300w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43-768x233.png 768w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43-510x154.png 510w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.31.43.png 1678w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>Once practiced with different rhythms and speeds, it&#8217;s time to start studying articulation. This entry is for oboists who already maste<span style=\"color: #000000;\">r doubl<\/span>e tongue. Soon I will write another post about how to study double tongue for students who start in it. But of course this solo can be played with single tongue as well if your single tongue is fast enough.<span style=\"color: #ed1c24;\"><br \/>\n<\/span><\/p>\n<p>Before starting with articulation, whether it is simple or double, I always like to use this simple but effective exercise to warm up the muscles.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27555 size-large\" src=\"http:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09-1024x297.png\" alt=\"\" width=\"1020\" height=\"296\" srcset=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09-1024x297.png 1024w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09-600x174.png 600w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09-300x87.png 300w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09-768x223.png 768w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09-510x148.png 510w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-0.59.09.png 1694w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>As in the study of fingering, in the articulation we will always use the metronome and also different rhythms. You have to be especially careful with the precision of the rhythms and the tongue. Do not try to increase the speed of the metronome very fast. Think that this is a job of months or even years.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27566 size-large\" src=\"http:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21-1024x306.png\" alt=\"\" width=\"1020\" height=\"305\" srcset=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21-1024x306.png 1024w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21-600x180.png 600w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21-300x90.png 300w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21-768x230.png 768w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21-510x153.png 510w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-04-a-las-1.07.21.png 1410w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">The rhythmic options are endless, whether you use simple or double tongue. Try to find different rhythms. You can also mix different articulations.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27577 size-large\" src=\"http:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53-1024x279.png\" alt=\"\" width=\"1020\" height=\"278\" srcset=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53-1024x279.png 1024w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53-600x164.png 600w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53-300x82.png 300w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53-768x209.png 768w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53-510x139.png 510w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-07-a-las-16.04.53.png 1702w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><span style=\"font-weight: 400;\">Here are some rhythmic examples that you can apply to both fingering and articulation exercises.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-27698 size-large\" src=\"http:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-16.58.12-1024x342.png\" alt=\"\" width=\"1020\" height=\"341\" srcset=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-16.58.12-1024x342.png 1024w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-16.58.12-600x200.png 600w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-16.58.12-300x100.png 300w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-16.58.12-768x257.png 768w, https:\/\/eg-reeds.com\/wp-content\/uploads\/2017\/11\/Captura-de-pantalla-2017-11-10-a-las-16.58.12-510x170.png 510w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><\/p>\n<p>I hope all these tips serve you both for this solo and for studying double tonguing on the oboe. Remember that it is a job that requires patience and perseverance.<\/p>\n<p>If you want you can leave us your comment with more ideas of posts that interest you.<\/p>\n<p>See you at <strong><a href=\"http:\/\/eg-reeds.com\/\" target=\"_blank\" rel=\"noopener\">www.eg-reeds.com<\/a> <\/strong>!<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How to practice &#8222;La scala di seta&#8220; (fast part). Here are some small tips that I hope will help you study &#8222;La scala di seta&#8220; by Rossini. I leave you my version, which I played when I was oboe soloist in &#8222;Guiyang Symphony Orchestra&#8220; (China) to know what we are going to talk about. \u00c9ric [&#8230;]\n","protected":false},"author":1,"featured_media":27757,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2396],"tags":[],"class_list":["post-27525","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oboe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.0 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>How to practice &quot;La scala di seta&quot; (technical part)<\/title>\n<meta name=\"description\" content=\"Here are some tips that I hope will help you study oboe double tonguing and &quot;La scala di seta&quot; by Rossini (fast part of the oboe excerpt).\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eg-reeds.com\/de\/how-to-practice-la-scala-di-seta\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to practice &quot;La scala di seta&quot;\" \/>\n<meta property=\"og:description\" content=\"Here are some tips that I hope will help you study oboe double tonguing and &quot;La scala di seta&quot; 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