{"id":63973,"date":"2026-06-10T19:31:25","date_gmt":"2026-06-10T17:31:25","guid":{"rendered":"https:\/\/eg-reeds.com\/jan-dismas-zelenka-hautbois-sonates-zwv-181\/"},"modified":"2026-06-10T19:31:25","modified_gmt":"2026-06-10T17:31:25","slug":"jan-dismas-zelenka-hautbois-sonates-zwv-181","status":"publish","type":"post","link":"https:\/\/eg-reeds.com\/fr\/jan-dismas-zelenka-hautbois-sonates-zwv-181\/","title":{"rendered":"Jan Dismas Zelenka et le hautbois : pourquoi ses sonates comptent encore"},"content":{"rendered":"<style>\n.egz,.egz *,.egz *:before,.egz *:after{box-sizing:border-box}.egz{margin:28px 0;color:#3b586d}.egz a{color:#607e99;font-weight:750}.egz-kicker{display:inline-block;padding:6px 11px;border:1px solid #607e99;border-radius:999px;background:#fff;color:#3b586d;font-size:12px;font-weight:850;letter-spacing:.06em;text-transform:uppercase}.egz-panel{border:1px solid rgba(96,126,153,.34);border-radius:8px;background:#fff;padding:20px;margin:24px 0;box-shadow:0 10px 22px rgba(59,88,109,.07)}.egz-track{display:flex;gap:12px;overflow-x:auto;scroll-snap-type:x mandatory;padding:4px 2px 14px}.egz-card{flex:0 0 clamp(235px,42%,320px);scroll-snap-align:start;border:1px solid rgba(96,126,153,.26);border-top:4px solid #607e99;border-radius:8px;background:linear-gradient(135deg,#fff 0%,rgba(98,127,154,.06) 100%);padding:15px 16px;color:#3b586d}.egz-card h3{margin:0 0 8px;color:#607e99;font-size:19px}.egz-card p{margin:0;color:#3b586d;line-height:1.45}.egz-cta{border:1px solid rgba(96,126,153,.35);border-left:5px solid #8fa62a;border-radius:8px;background:linear-gradient(135deg,#fff 0%,rgba(98,127,154,.08) 62%,rgba(238,193,32,.08) 100%);box-shadow:0 14px 30px rgba(59,88,109,.10);padding:24px;margin:30px 0}.egz-cta-inner{display:grid;grid-template-columns:minmax(0,1fr) 300px;gap:22px;align-items:center}.egz-btn{display:inline-flex;align-items:center;justify-content:center;min-height:44px;padding:11px 18px;border-radius:999px;text-decoration:none!important;font-weight:850;background:#8fa62a;color:#fff!important;margin:6px 8px 6px 0}.egz-btn.secondary{background:#fff;color:#3b586d!important;border:1px solid rgba(96,126,153,.38)}.egz-products{display:grid;gap:10px}.egz-product{display:grid;grid-template-columns:74px minmax(0,1fr);gap:12px;align-items:center;padding:10px;border:1px solid rgba(96,126,153,.24);border-radius:8px;background:#fff;text-decoration:none!important}.egz-product img{width:74px;height:74px;object-fit:contain;border-radius:6px}.egz-product strong{display:block;color:#607e99}.egz-product small{display:block;color:#3b586d}.egz-img img{width:100%;height:auto;border-radius:8px}.egz-img figcaption{font-size:14px;color:#3b586d;margin-top:6px}.egz-two{display:grid;grid-template-columns:1fr 1fr;gap:16px}.egz-person{border:1px solid rgba(96,126,153,.3);border-radius:8px;overflow:hidden;background:#fff}.egz-person img{width:100%;height:230px;object-fit:contain;background:rgba(96,126,153,.08)}.egz-person div{padding:15px}.egz-embed{max-width:760px;margin:20px auto}.egz-ratio{position:relative;width:100%;padding-bottom:56.25%;height:0;overflow:hidden;border-radius:10px;background:rgba(96,126,153,.08)}.egz-ratio iframe{position:absolute;inset:0;width:100%;height:100%;border:0}.egz-faq details{border:1px solid rgba(96,126,153,.35);border-radius:10px;background:#fff;margin:10px 0;padding:12px 14px}.egz-faq summary{cursor:pointer;color:#3b586d}.egz table{width:100%;border-collapse:collapse}.egz th,.egz td{border-bottom:1px solid rgba(96,126,153,.2);padding:9px;text-align:left}.egz th{color:#3b586d;text-transform:uppercase;font-size:13px}@media(max-width:760px){.egz-cta-inner,.egz-two{grid-template-columns:1fr}.egz-card{flex-basis:84%}.egz-btn{width:100%}}\n<\/style>\n<h1><strong>Jan Dismas Zelenka et le hautbois : pourquoi ses sonates comptent encore<\/strong><\/h1>\n<p>Jan Dismas Zelenka n\u2019est pas seulement un nom baroque pour sp\u00e9cialistes. Pour les hautbo\u00efstes, les <strong>Trio Sonatas ZWV 181<\/strong> sont un v\u00e9ritable laboratoire d\u2019\u00e9coute : deux hautbois, basson et continuo en conversation constante.<\/p>\n<figure class=\"egz-img\"><img decoding=\"async\" src=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2026\/06\/maxresdefault.jpg\" alt=\"Manuscript fragment associated with Zelenka Trio Sonatas ZWV 181\" loading=\"lazy\"><figcaption>Manuscript fragment associated with Zelenka\u2019s Trio Sonatas ZWV 181.<\/figcaption><\/figure>\n<div class=\"egz egz-panel\"><span class=\"egz-kicker\">Quick context<\/span><\/p>\n<h2>Zelenka en quatre id\u00e9es<\/h2>\n<div class=\"egz-track\">\n<article class=\"egz-card\">\n<h3>Life<\/h3>\n<p>Zelenka was born in Bohemia in 1679 and died in Dresden in 1745.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>Dresden<\/h3>\n<p>His career was closely linked to the Saxon electoral court.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>Catalogue<\/h3>\n<p>Much of his output is sacred, written for the Catholic court chapel.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>Oboe<\/h3>\n<p>The ZWV 181 sonatas place the oboe inside a demanding chamber texture.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<section class=\"egz egz-cta\">\n<div class=\"egz-cta-inner\">\n<div><span class=\"egz-kicker\">EG-REEDS oboe reeds<\/span><\/p>\n<h2>Choisissez une anche qui accompagne votre fa\u00e7on de jouer<\/h2>\n<p>If Zelenka makes you listen to response, intonation and sound centre in more detail, the reed cannot stay behind the music.<\/p>\n<p><a class=\"egz-btn\" href=\"https:\/\/eg-reeds.com\/fr\/categorie-produit\/anches-pro\/anches-hautbois\/?utm_source=blog&#038;utm_medium=cta&#038;utm_campaign=zelenka_oboe_fr&#038;utm_content=professional_reeds\">Acheter des anches professionnelles<\/a><a class=\"egz-btn secondary\" href=\"https:\/\/eg-reeds.com\/fr\/categorie-produit\/anches-et-roseaux-pour-etudiants\/?utm_source=blog&#038;utm_medium=cta&#038;utm_campaign=zelenka_oboe_fr&#038;utm_content=student_reeds\">Voir les anches pour \u00e9tudiants<\/a><\/p>\n<\/div>\n<div class=\"egz-products\"><a class=\"egz-product\" href=\"https:\/\/eg-reeds.com\/fr\/categorie-produit\/anches-pro\/anches-hautbois\/?utm_source=blog&#038;utm_medium=cta&#038;utm_campaign=zelenka_oboe_fr&#038;utm_content=professional_reeds_card\"><img decoding=\"async\" src=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2024\/04\/Professional-reeds-for-oboe-to-buy.jpeg\" alt=\"Professional oboe reeds EG-REEDS\" loading=\"lazy\"><span><strong>Professional oboe reeds<\/strong><small>PRO, Mayer, 901 and M2<\/small><\/span><\/a><a class=\"egz-product\" href=\"https:\/\/eg-reeds.com\/fr\/categorie-produit\/anches-et-roseaux-pour-etudiants\/?utm_source=blog&#038;utm_medium=cta&#038;utm_campaign=zelenka_oboe_fr&#038;utm_content=student_reeds_card\"><img decoding=\"async\" src=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2024\/04\/Student-oboe-reeds-and-cane.jpeg\" alt=\"Student oboe reeds EG-REEDS\" loading=\"lazy\"><span><strong>Student reeds<\/strong><small>Beginner and intermediate<\/small><\/span><\/a><\/div>\n<\/div>\n<\/section>\n<h2>De l\u2019oubli au r\u00e9pertoire indispensable<\/h2>\n<p>For a long time, Zelenka remained better known to specialists than to the wider concert public. His music gradually returned to circulation during the twentieth century, especially as performers and scholars paid closer attention to the Dresden repertoire.<\/p>\n<p>That rediscovery matters for oboists because the ZWV 181 sonatas do not treat the instrument as decoration. They ask the oboe to lead, answer, tune, blend and sustain real chamber tension.<\/p>\n<h2>Qui \u00e9tait Jan Dismas Zelenka<\/h2>\n<p>Zelenka was a Bohemian Baroque composer whose career developed mainly in Dresden. His musical language is personal: dense counterpoint, bold harmonic turns and an almost theatrical sense of line.<\/p>\n<p>Although his sacred music forms a large part of his catalogue, the trio sonatas show his understanding of instrumental colour and his knowledge of players capable of handling very demanding writing.<\/p>\n<h2>Quand les sonates ZWV 181 ont-elles \u00e9t\u00e9 compos\u00e9es<\/h2>\n<p>IMSLP places the six Trio Sonatas ZWV 181 around 1720-1722. The exact dating is less important than the musical fact: this is mature, highly crafted chamber music.<\/p>\n<h2>Comment elles sont \u00e9crites : deux hautbois, basse et conversation<\/h2>\n<p>The usual scoring is two oboes, bassoon and basso continuo, although some sources mention variants. The two oboes often share the foreground, while the bass line does much more than simply support harmony.<\/p>\n<p>For the player, that means constant responsibility: entrances must speak, dissonances must tune, and phrases must remain alive even when the texture becomes dense.<\/p>\n<div class=\"egz egz-panel\">\n<h2>Ce qu\u2019\u00e9coutent les hautbo\u00efstes<\/h2>\n<div class=\"egz-track\">\n<article class=\"egz-card\">\n<h3>Unisons and imitation<\/h3>\n<p>When the oboes join or answer each other, centre, articulation and breathing become immediately audible.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>Dissonance and chromaticism<\/h3>\n<p>Zelenka does not avoid tension; intonation must remain flexible and alert.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>Canons and fugues<\/h3>\n<p>Contrapuntal writing demands direction even in quick, crowded passages.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>Bass function<\/h3>\n<p>The bassoon and continuo can act almost like a third melodic voice.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<h2>Pourquoi ces sonates comptent pour le monde du hautbois<\/h2>\n<p>The ZWV 181 sonatas reveal a deep understanding of what the oboe can do: fast response, long lines, register changes, imitation and moments of harmonic pressure.<\/p>\n<p>For EG-REEDS, this repertoire also connects listening with reed work. A reed that blocks response, centre or colour makes this music harder than it needs to be.<\/p>\n<div class=\"egz egz-panel\"><span class=\"egz-kicker\">Listening guide<\/span><\/p>\n<h2>Les six sonates ZWV 181<\/h2>\n<div class=\"egz-track\">\n<article class=\"egz-card\">\n<h3>1<\/h3>\n<p>Sonata I: listen to the noble opening and the balance between both oboes.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>2<\/h3>\n<p>Sonata II: notice the darker tension and the way colour is tuned.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>3<\/h3>\n<p>Sonata III: follow the brightness, articulation and dancing character.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>4<\/h3>\n<p>Sonata IV: listen to longer phrases and control of sound colour.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>5<\/h3>\n<p>Sonata V: observe flexibility and energy management in the middle-high register.<\/p>\n<\/article>\n<article class=\"egz-card\">\n<h3>6<\/h3>\n<p>Sonata VI: notice the dramatic character and rhetorical direction.<\/p>\n<\/article>\n<\/div>\n<\/div>\n<h2>Trois versions pour comparer les Trio Sonatas<\/h2>\n<p>Comparing different recordings is useful: tempo, continuo colour, oboe sound and articulation change the way Zelenka breathes.<\/p>\n<p><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6wzRudbIneO088qzl1PPiJ?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5Yi9HPXVvD5e1CSQQcZAeA?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6ABl7Cd9mnvwMGFj8yq9QD?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe><\/p>\n<section class=\"egz egz-panel\"><span class=\"egz-kicker\">Related release<\/span><\/p>\n<h2>Zelenka : 6 Sonatas, ZWV 181<\/h2>\n<p>We also published a specific article on the new GENUIN classics album with Ram\u00f3n Ortega Quero and \u00c1ngel Luis S\u00e1nchez Moreno.<\/p>\n<p><a class=\"egz-btn secondary\" href=\"https:\/\/eg-reeds.com\/fr\/zelenka-6-sonates-zwv-181-ramon-ortega-angel-luis-sanchez\/\">Lire l\u2019article sur le disque<\/a><\/section>\n<h2>\u00c9couter Zelenka depuis EG-REEDS<\/h2>\n<p>Start with the album links and then compare other versions. Listening across recordings helps separate composition, interpretation and reed response.<\/p>\n<div class=\"egz-embed\">\n<div class=\"egz-ratio\"><iframe title=\"Zelenka 6 Sonatas ZWV 181\" src=\"https:\/\/www.youtube.com\/embed\/DTTFnk99ZZg\" allowfullscreen loading=\"lazy\"><\/iframe><\/div>\n<\/div>\n<div class=\"egz-embed\">\n<div class=\"egz-ratio\"><iframe title=\"Playlist Zelenka ZWV 181\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=OLAK5uy_lNZXDobHnp8UGmykz8qLWpNfUAHU_X2ps\" allowfullscreen loading=\"lazy\"><\/iframe><\/div>\n<\/div>\n<h2>Dans l\u2019entretien : \u00c1ngel Luis S\u00e1nchez Moreno et Ram\u00f3n Ortega Quero<\/h2>\n<p>The EG-REEDS interviews add personal and professional context to two oboists connected with this repertoire.<\/p>\n<div class=\"egz egz-two\">\n<article class=\"egz-person\"><img decoding=\"async\" src=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2024\/02\/Angel-Luis-Sanchez-oboista-e1708602345585.png\" alt=\"\u00c1ngel Luis S\u00e1nchez Moreno\" loading=\"lazy\"><\/p>\n<div>\n<h3><a href=\"https:\/\/eg-reeds.com\/es\/entrevista-con-angel-luis-sanchez-moreno\/\">Interview with \u00c1ngel Luis S\u00e1nchez Moreno<\/a><\/h3>\n<p>A closer look at career, sound and the way an oboist thinks about repertoire.<\/p>\n<\/div>\n<\/article>\n<article class=\"egz-person\"><img decoding=\"async\" src=\"https:\/\/eg-reeds.com\/wp-content\/uploads\/2018\/01\/Ramon-Ortega-1.jpg\" alt=\"Ram\u00f3n Ortega Quero\" loading=\"lazy\"><\/p>\n<div>\n<h3><a href=\"https:\/\/eg-reeds.com\/es\/entrevista-ramon-ortega-oboe\/\">Interview with Ram\u00f3n Ortega Quero<\/a><\/h3>\n<p>Context for listening to an international oboe reference with more criteria.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<h2>Questions fr\u00e9quentes<\/h2>\n<div class=\"egz egz-faq\">\n<details open>\n<summary><strong>Who was Jan Dismas Zelenka?<\/strong><\/summary>\n<p>A Bohemian Baroque composer linked to Dresden, known for intense counterpoint and a distinctive harmonic language.<\/p>\n<\/details>\n<details open>\n<summary><strong>Why is Zelenka important for the oboe?<\/strong><\/summary>\n<p>Because the ZWV 181 sonatas give the oboe a central, demanding chamber role.<\/p>\n<\/details>\n<details open>\n<summary><strong>What are the ZWV 181 sonatas?<\/strong><\/summary>\n<p>A cycle of six trio sonatas usually associated with two oboes, bassoon and continuo.<\/p>\n<\/details>\n<details open>\n<summary><strong>Where should an oboist start?<\/strong><\/summary>\n<p>Start by comparing recordings and listening for response, intonation, articulation and blend.<\/p>\n<\/details>\n<\/div>\n<h2>Contenu pour continuer \u00e0 apprendre<\/h2>\n<div class=\"egz egz-panel\">\n<div class=\"egz-track\"><a class=\"egz-card\" href=\"https:\/\/eg-reeds.com\/fr\/zelenka-6-sonates-zwv-181-ramon-ortega-angel-luis-sanchez\/\"><\/p>\n<h3>Zelenka: 6 Sonatas, ZWV 181<\/h3>\n<p>Album data, videos, playlist and technical listening notes.<\/p>\n<p><\/a><a class=\"egz-card\" href=\"https:\/\/eg-reeds.com\/es\/entrevista-con-angel-luis-sanchez-moreno\/\"><\/p>\n<h3>Interview with \u00c1ngel Luis S\u00e1nchez Moreno<\/h3>\n<p>Context for one of the oboists connected with the album.<\/p>\n<p><\/a><a class=\"egz-card\" href=\"https:\/\/eg-reeds.com\/es\/entrevista-ramon-ortega-oboe\/\"><\/p>\n<h3>Interview with Ram\u00f3n Ortega Quero<\/h3>\n<p>Authority and perspective from an international oboist.<\/p>\n<p><\/a><a class=\"egz-card\" href=\"https:\/\/eg-reeds.com\/fr\/categorie-produit\/anches-pro\/anches-hautbois\/\"><\/p>\n<h3>Professional oboe reeds<\/h3>\n<p>Connect listening with response and sound stability.<\/p>\n<p><\/a><a class=\"egz-card\" href=\"https:\/\/eg-reeds.com\/fr\/la-famille-du-hautbois\/\"><\/p>\n<h3>The oboe family<\/h3>\n<p>Broader context for the instrument and its relatives.<\/p>\n<p><\/a><\/div>\n<\/div>\n<h2>Sources consult\u00e9es<\/h2>\n<div class=\"egz\">\n<table>\n<thead>\n<tr>\n<th>Source<\/th>\n<th>Donn\u00e9e utilis\u00e9e<\/th>\n<th>Lien<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>GENUIN classics<\/td>\n<td>Release and streaming information<\/td>\n<td><a href=\"https:\/\/www.genuin.de\/streaming-26955_ZELENKA\" target=\"_blank\" rel=\"noopener\">GENUIN<\/a><\/td>\n<\/tr>\n<tr>\n<td>Webbooklet GEN 26955<\/td>\n<td>Tracklist, instrumentation and recording credits<\/td>\n<td><a href=\"https:\/\/www.genuinclassics.com\/webbooklets\/GEN26955_webbooklet.pdf\" target=\"_blank\" rel=\"noopener\">PDF<\/a><\/td>\n<\/tr>\n<tr>\n<td>IMSLP<\/td>\n<td>Catalogue and sonata cycle reference<\/td>\n<td><a href=\"https:\/\/imslp.org\/wiki\/6_Sonatas%2C_ZWV_181_%28Zelenka%2C_Jan_Dismas%29\" target=\"_blank\" rel=\"noopener\">IMSLP<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jan Dismas Zelenka et le hautbois : pourquoi les sonates ZWV 181 restent essentielles pour la r\u00e9ponse, la justesse et le dialogue.<\/p>\n","protected":false},"author":1,"featured_media":63811,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8591],"tags":[],"class_list":["post-63973","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hautbois"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.0 (Yoast SEO v27.6) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Zelenka et le hautbois : sonates ZWV 181 | EG-REEDS<\/title>\n<meta name=\"description\" content=\"Zelenka hautbois : d\u00e9couvrez pourquoi les sonates ZWV 181 sont essentielles pour r\u00e9ponse, justesse et dialogue.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eg-reeds.com\/fr\/jan-dismas-zelenka-hautbois-sonates-zwv-181\/\" 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