{"id":38195,"date":"2019-12-23T09:21:35","date_gmt":"2019-12-23T08:21:35","guid":{"rendered":"http:\/\/eg-reeds.com\/?p=38195"},"modified":"2025-02-20T11:33:06","modified_gmt":"2025-02-20T10:33:06","slug":"interview-with-luca-vignali-solo-oboe-at-rome-opera-house","status":"publish","type":"post","link":"https:\/\/eg-reeds.com\/ru\/interview-with-luca-vignali-solo-oboe-at-rome-opera-house\/","title":{"rendered":"Interview with Luca Vignali solo oboe at Rome Opera House."},"content":{"rendered":"

Interview with Luca Vignali solo oboe at Rome Opera House.<\/strong><\/h1>\n

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We want to thank Luca Vignali for his collaboration in this interview with which we will close the year 2019. We hope you enjoy reading the interview. You can read other interviews on our blog<\/a>.<\/p>\n

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How were your beginnings in music \/ with the oboe? Were there more musicians in the family?<\/strong><\/h4>\n

I was the first musician in my\u00a0 <\/span>family, since I was a child, for my birthday, I used to ask my parents to buy plastic musical instruments for me, not toys like soldiers like all my friends.<\/p>\n

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When did you decide that you wanted to dedicate the oboe professionally?<\/strong><\/h4>\n

When I was 7 years old I started playing clarinet in the woodwind ensemble (Banda) of my town. The clarinet is very famous in my country because a kind of music called \u201cLiscio\u201d (folk music) often uses the solo clarinet like a soloist. So to enter in the music school I had to change the instrument because the clarinet classes were full. With the oboe it was \u201clove at first sight\u201d and I decided to change from the clarinet to the oboe.<\/p>\n

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Which teacher has influenced you the most? How was studied with the Maestro Lothar Koch?<\/strong><\/h4>\n

In Italy I studied with maestro Gino Siviero, one of the most important schools of the oboe in the nation, of German inspiration. When Lothar Koch listened to me in a master\u2019s degree, he invited me to Germany to go on the \u201cKarajan Academy\u201d.
\nLothar Koch is now still the oboist who impressed me most, very strict teacher, but very generous!
\nMy lessons were 5 days a week for 2 hours. Each lesson Koch played the piano in the solo and orchestral repertoire. In those years I was also lucky enough to play with Berliner and H.V Karajan.<\/p>\n

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What type of oboe do you play and why did you choose it?<\/strong><\/h4>\n

I play Yamaha Duett modified by Eros Marchi, the most important oboe shop in Italy. Yamaha is a very easy instrument for me, perfect for the orchestra thanks to the flexibility and the dark sound such as the Marigaux 901 which was my first instrument.<\/p>\n

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If you had to highlight an oboe repertoire, what would it be and why?<\/strong><\/h4>\n

I am a traditionalist, I love the energy of baroque and the transparency of classicism. Few notes well played could enchant me. I think that the Mozart concert is still one of the most difficult pages to play, despite Pasculli\u2019s virtuosity or the modern techniques of Berio Sequenza. And always is the Mozart or Strauss concerts along with the orchestral solos the works that opens you the doors for the orchestra.<\/p>\n