{"id":35518,"date":"2019-06-05T09:32:51","date_gmt":"2019-06-05T07:32:51","guid":{"rendered":"http:\/\/eg-reeds.com\/?p=35518"},"modified":"2025-02-20T11:34:01","modified_gmt":"2025-02-20T10:34:01","slug":"interview-celine-moinet-oboe-staatskapelle","status":"publish","type":"post","link":"https:\/\/eg-reeds.com\/zh-hans\/interview-celine-moinet-oboe-staatskapelle\/","title":{"rendered":"Interview with C\u00e9line Moinet solo oboe at the Staatskapelle Dresden"},"content":{"rendered":"

Interview with C\u00e9line Moinet solo oboe at the Staatskapelle Dresden.
\n<\/strong><\/h3>\n

We are glad to present you an interview with C\u00e9line Moinet, solo oboe at the Staatskapelle Dresden, <\/i>Germany.<\/span><\/p>\n

Since 2013, C\u00e9line Moinet has had a chair at the Carl Maria von Weber College of Music and she conducts master courses in France, Germany and Japan.
\n<\/span><\/p>\n

\"\"<\/p>\n

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How were your beginnings in music or with the oboe? Were there more musicians in the family?<\/strong><\/p>\n

My parents love classical music, even if they don\u2019t play any instrument. Especially my father is an opera lover. But as we were 5 children my parents couldn\u2019t go often to concerts. When we were old enough to learn an instrument, they registered all of us in our home town music conservatory.<\/p>\n

When did you decide that you wanted to be a professional oboe player?<\/strong>
\nAs a teenager I guess. At age 15 I started to travel regularly to Paris to have private lessons with the principal Oboe of Orchestre National de France (Pascal Saumon), which would mean an important financial and time investment. I suppose at that age it was already clear for me I will invest all my energy in this instrument.<\/p>\n

Which teacher has influenced you the most?<\/strong>
\nI am very thankful to all the teachers I had in my life, from an early age on. David Walter was my teacher in Paris Conservatoire. He was a wonderful mentor and still is a great inspiration.<\/p>\n

What type of oboe do you play with and why?<\/strong><\/p>\n

As a professional I always played a Marigaux 901. It just feels home. It\u2019s for me the perfect association of a beautiful sound with lots of flexibility for personal expression. I am not a fan of \u201cheavy\u201d instruments you can find on the market, especially in Germany. I need to express myself with the instrument, and I am always looking for a rich sound with lots of elasticity.<\/p>\n

 <\/p>\n

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How were your beginnings in the orchestra?<\/strong>
\nMy first professional job was at the opera house in Mannheim as principal Oboe for a 1,5 year vacation. It came at a perfect time at the end of my studies in Paris. I learned a lot in this house, playing so many different operas in a very short time. Learning German was also challenging.
\nWhen I joined the Staatskapelle Dresden in 2008 as principal Oboe, I was very lucky to already have experienced working in a German opera house.<\/p>\n

What did it mean for you to play in the “Gustav Mahler Jugendorchester”?<\/strong>
\nMy first tour in 2004 with Claudio Abbado conducting opened a new musical world for me.The concerts with him were magical.
\nMeeting young musicians from all Europe with such a high level was also a revelation. I realized at that time I had to go abroad to learn from different musical influences.<\/p>\n

What is it like to work as an oboe soloist in “Staatskapelle Dresden”?<\/strong>
\nI am very glad to be a member of an important german orchestra with such a tradition. It is a very intense job, we are touring all around the world with important conductors and the pressure can be very high. Having my partner and many friends in the orchestra is a great help.
\n