{"id":38092,"date":"2019-11-11T10:14:04","date_gmt":"2019-11-11T09:14:04","guid":{"rendered":"http:\/\/eg-reeds.com\/?p=38092"},"modified":"2025-02-20T11:33:10","modified_gmt":"2025-02-20T10:33:10","slug":"interview-clara-dent-boganyi-solo-oboe-rundfunk-sinfonieorchester-berlin","status":"publish","type":"post","link":"https:\/\/eg-reeds.com\/zh-hans\/interview-clara-dent-boganyi-solo-oboe-rundfunk-sinfonieorchester-berlin\/","title":{"rendered":"Interview with Clara Dent-Bog\u00e1nyi solo oboe at Rundfunk-Sinfonieorchester Berlin"},"content":{"rendered":"

Interview with Clara Dent-Bog\u00e1nyi solo oboe at Rundfunk-Sinfonieorchester Berlin.<\/strong><\/h1>\n

We want to thank Clara Dent for her collaboration for this wonderful interview she has given us. We hope you enjoy reading the interview. You can read other interviews on our blog<\/a>.<\/p>\n

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Clara Dent-Bog\u00e1nyi – oboe.<\/p>\n

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How were your beginnings in music or with the oboe? Were there more musicians in the family?<\/strong><\/h4>\n

Both my mother and father are musicians and growing up in a musical family meant a lot of music around me during my childhood.<\/p>\n

When I was six years old I listened to a concert of Prokofjew\u2018s “Peter and the Wolf\u201c and felt so sorry for the poor duck… That\u2019s when I decided to play the oboe- to rescue the duck!<\/p>\n

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Which teacher has influenced you the most? How do you remember the time were you studied in the Musik Hochschule?<\/strong><\/h4>\n

I had great luck with all of my teachers; besides my father, my first teacher Prof.Jensen was the most patient and tasteful teacher to start with.<\/p>\n

Then I was really privileged to study with Prof.Passin at the “Hochschule f\u00fcr Musik” in Munich. There I was integrated in a fantastic oboe-class, we pushed and helped each other and it felt like a big family. We all still keep contact and feel very connected.<\/p>\n

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What type of oboe do you play and why did you choose it?<\/span><\/strong><\/h4>\n

Since I am 19years old I played on a Marigaux 901 Oboe. <\/span>I never had a reason to search for anything else, because it has all the abilities I like: power, round sound and very good mechanic.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

But as I am a curious person I couldn\u2018t resist when the German Oboe maker Ludwig Frank asked me if I would like to develop a new Oboe Model together with him. We worked on it for over two years and my aim was to create an oboe with a very unique sound, very even throughout the whole scale, a lot of projection for the big hall and the flexibility to play whatever Repertoire. And now we are more than happy about the result- the new \u201cCD Model\u201d is on the market and seems to impress oboists all over the world!<\/div>\n

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Clara Dent-Bog\u00e1nyi – The New LF oboe: Model CD.<\/p>\n

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What is the repertoire in the orchestra with which you feel most identified \/ the one you like the most? If you had to highlight an oboe repertoire, what would it be and why?<\/strong><\/h4>\n

Playing in the orchestra it would definitely be R.Wagner\u2019s operas, A.Bruckner\u2019s Symphonies and (as an Austrian) of course all the Mozart repertoire. All these composers loved the sound of the oboe and used it in a very emotional way.
\nSurely one of the greatest pleasures for Oboists is also to play works of J.S.Bach! The \u201cfather of music\u201d as my first teacher used to say.<\/p>\n

To play Contemporary music means a special way of working with our instrument and finding out new colours, effects and ways to express ourselves; always joyful to perform music of L.Berio, H.Holliger, J\u00f6rg Widmann, Dirk-Michael Kirsch…<\/p>\n